Category: Event reports


Tokyo Dark Castle

Flyer for Tokyo Dark Castle’s last 2012 event (JGoth added question in red)

This blog entry is an update on the lack of overnight events this year in Tokyo’s dark scene.

In case you have not already noticed, iconic events such as Tokyo Dark Castle and Midnight Mess have gone strangely quiet in recent months. There could be a few reasons for this, but it seems one big issue is the re-enforcement of some old laws.

Tokyo has began re-enforcing a 60-year old law that makes late night dance activities illegal. There could also be some other re-animated regulations too, but that makes it hard to have the overnight events – especially lively events such as TDC.

Essentially, if an organizer wants to have late-night dancing, they need to have certification from a recognized dancing association to avoid the risk of them and their patrons being arrested. While it is possible to get certification for many standard dance styles, I do not think that there are any “disco” “mosho” dance associations out there, so it looks like the best of Tokyo’s Gothic night events have closed shop for a while.

Why was dancing without a license made illegal?

Well, it seems that it was somehow connected with prostitution when it was originally installed – perhaps offering a venue for solicitation. However, nowadays in Tokyo, walking down any of the night district streets will get you more solicitations than you can point a stick at.

So the question becomes… Why?

There was a case where one guy was beaten to death at a club last year, but that was more a case of gang members coming in with metal pipes and baseball bats, than being danced to death.

The end result is that overnight events are out for the time being. The early evening events appear to continue without problems, so if you are considering Gothing in Tokyo, an evening event may be the type of event to pursue…

[Taken from the original JGoth archives dated May 6, 2007]

My first overnight stay at Tokyo Dark Castle for over a year was damned exciting. The crowd was a bit different from what I remember with only a few familiar faces, but they were pumped up and ready to scream. Japan’s Golden Week is usually a pretty light time in terms of people turnout (because everybody runs away to their hometowns), but this event was pumping with a comfortably crowded Marz club and more cool fashion than you can point a sparkler at. Gothic, lolita, cyber, leather, fetish, dreg (uh me), and more.

Auto-Mod
The band was fiery hot. Auto-Mod were in fine form with a fantastic set featuring ye olde metal grinder (a real one flashing out sparks and shit), fireplay, and a meatier sound that showed these local underground legends that they can continue to deliver to today’s audience. The band has come a long way in the past 14 months when I last saw the start of the change with the new line-up/arrangement.

Lloy
Lloy smashed my pre-conceptions of thinking of them as a moody alt-rock band. These guys are hard rock with strong femme vocals making them a very hot item on stage. A number of people inside the scene told me they were damned good – I just didn’t know how good until I saw them for myself!

Baal
I was primed for insanity by this time, but I was not prepared for the next act – my dear friends Baal. They just ripped shit up on stage and had the audience screaming and jumping to their hard-punching cybernetic industrial rock. I have loved Baal’s live performances since I first saw the band, when it was known as Chronotrigger, in 2005. A t that time I knew they were a fresh, harsh industrial group who’ll electrify any crowd, but even now Baal has kept on ratcheting up the intensity, power and its appeal to the point where it truly is one sexy dominating beast on the scene! While they are my friends, I am being completely honest in my comments – they are that damned good! Check the video at the bottom!

Destruct System
Finally I scoped Destruct System who I have seen at a number of events. These guys are harsh hard rock that is just plain hot. Where Baal left off, DS took over turning the lower level of the two-tiered Marz venue into a grinding pit of Gothic flesh. They know how to connect with any crowd and their sets are varied to suit the tastes of the night (metal, Gothic, electronic, etc.) , so you will get something a bit different every time you see them. These guys are damned good and can ignite any crowd with their intensity.

So that wraps that up. Tokyo Dark Castle is bigger and flasher than ever. All the bands are stepping up the intensity to deliver an array of hard-hitting sounds that will soon be able to shed the “J” moniker and be considered as part of the global Goth scene. And the crowd is growing all the time.

As for me personally, turning up after a long hiaitus as a cybernetic entity, it was kind of strange. There were some familiar faces, but I am a stranger again. It was good to catch up with a few good friends and see just how far the scene has progressed in the past 12 months.

Baal @ Tokyo Dark Castle

[youtube]http://www.youtube.com/watch?v=sZkGVfrB9VU[/youtube]

TOKYO DARK CASTLE EXTRA — While at Tokyo’s largest Gothic event (Report here), I managed to take a little video of Baal performing Wreckage on stage! This is still my favorite song from the band and just pumps the crowd as you will see. Unlike previous JGoth home videos this one is quiet enough that you won’t have to rip your headphones off screaming “Igor! You C-Nut!” Yes, I discovered the volume control! Do you fancy a couple of minutes of the live Baal experience from the pit at TDC?

A special thanks to the band for giving me the okay to show this little viddy!

Want more? Check out Baal’s official site or Baal on MySpace for the real Baal experience!

There are a few other videos on my YouTube space, but beware… I didn’t know about the volume control for those.

My first overnight stay at Tokyo Dark Castle for over a year was damned exciting. The crowd set was a bit different from what I remember with only a few familiar faces, but they were pumped up and ready to scream. Golden Week is usually a pretty light time in terms of people turnout (because everybody runs away to their hometowns), but this event was pumping with a comfortably crowded Marz club and more cool fashion than you can point a sparkler at. Gothic, lolita, cyber, leather, fetish, dreg (uh me), and more.

Auto-Mod :: info
The bands were fiery hot. Auto-Mod were in fine form with a fantastic set featuring ye olde metal grinder (a real one flashing out sparks and shit), fireplay, and a meatier sound that showed these legends of the local scene can continue to deliver to today’s audience. The band has come a long way in the past 14 months, when I last saw the start of the change with the new line-up/arrangement.

Lloy :: info
Lloy smashed my pre-conceptions of thinking of them as a moody alt-rock band. These guys are hard rock with strong femme vocals making them a very hot item on stage. A number of people inside the scene told me they were damned good – I just didn’t know how good.

Baal :: info
I was primed by this time, but I was not prepared for the next act, my dear friends Baal. They just ripped shit up on stage and had the audience screaming and jumping. I have loved Baal’s live performances since I first saw the band as Chronotrigger in 2005 (A fresh, harsh industrial group who’ll blow you away), but Baal has kept on ratcheting up the intensity, power and its appeal to the point where it truly is one sexy beast! While they are my friends, I am being completely honest in my comments – they are that damned good!

Destruct System :: info
Finally I scoped Destruct System who I have seen quite often at a number of events. These guys are harsh hard rock that is just plain hot. Where Baal left off, DS took over turning the lower level into a grinding pit of Gothic flesh. They know how to connect and their sets are varied to suit the tastes of the night (metal, Gothic, electronic, etc.) so you will get something a bit different every time you see them. These guys are damned good and can ignite any crowd with their intensity.

So that wraps that up. Tokyo Dark Castle is bigger and flasher than ever. All the bands are stepping up the intensity to deliver an array of hard-hitting sounds that will soon be able to shed the “J” moniker and be considered as part of the global Goth scene. And the crowd is growing all the time.

As for me personally, turning up after a long hiatus as a cybernetic entity, it was kind of strange. There were some familiar faces, but I am a stranger again. It was good to catch up with a few good friends and see just how far the scene has progressed in the past 12 months.

There is also some great stuff afoot with a some fuck yeah! news, a couple of viddies but more on that stuff later…

Psydoll picturesDecember 26 was a Monday and the icey rain was coming down hard. That didn’t stop me from heading out to the Neuromancer event featuring Psydoll (info) and Musu Bore, among others.

Turnout was expectedly light, but the bands were doing their thing on stage, the bar was open, and those who braved the sudden cold snap got a dose of Cyber – things were good.

I only really watched Psydoll and Musu Bore. Both bands put on a good performance and, despite my suit dripping all over the club, I had a pretty darned good time. Actually, truth be told, I enjoyed racing through the rain to the club as it felt like I was in some dark Gibsonian novel. I also got a chance to chat with Nekoi Psydoll and met another mad Monday gaijin (hi Synboi!). A nice night.

There are only a handful of photos in the pixie gallery here – I am still getting used to my new just-out-of-date digicam.

Psydoll are taking a short break, but should be back in February when Tokyo begins to thaw out ready for Spring eventing.

Psydoll pictures from the Neuromancer event.

I haven’t got out much this year due to ongoing health issues (or unhealth issues – take your pick), but have seen a few interesting shows where I can, like the one at Design Festa in May. Design Festa is the biggest art festival in Asia (according to the PR), but I really wasn’t looking for art… However it also has an outdoor stage where you can catch quite a few local indy bands, which is much more figgable to a miscreant like me. More importantly, it had an industrial-Goth band, Nicht, doing a set, which I had to see. The plan was to get out there, see Nicht (at 1 p.m!), and get out of Dodge ASAP. As we all know, all plans go to hell. One band led to another and I wound up enjoying a lot of great loud stuff from hard rock to metal to blackcore and more. It rocked and I got quite a number of pixies… So take a look at part 1…

Design Festa 1 :: Nicht & Crucified Pictures (Registration required to see pixies – sorry).

…part 2 coming soon.

Urga Shinjuku (May 6, 2006) — Not being up for a whole night of Goth at Tokyo Dark Castle, I opted for the next best thing – Electrock Circus. The name pretty much sums up the event, electro, electronic, rock – sure its not Goth, but with a soundscape like that you will often find an act or two from the dark side of the tracks.

Electrock Circus mixes bands with DJ-style sound artists – ranging from mixing to complete sound construction (or destruction). Personally, I’m a band lover as I like the sounds to have lots of action onstage, but some sound artists unleash a lot of energy and visual impact during their performances. The event keeps a good balance between the two performance styles so everyone should be happy.

Goths were about
A larger than normal showing of night-crawlers was evident tonight for several reasons. 1) Tokyo Dark Castle would start soon after Electrock Circus at nearby Marz, 2) Control Freak who sometimes plays at Midnight Mess was on and 3) there would be a set by master dark industrial unit, Sino – all cool (pity I had to leave before Sino’s set…).

System Error (pix)
System Error’s arrangement was a two-person unit with a femme mixer-sound master in a maid outfit while standing behind her Mac, and an ax-wielding vocalist in SS-style uniform. The sound was generally a nice mix of electronic and digi-rock, although the stage impact was a little light with both members busy multi-tasking the sound production. I liked it, but think a third person is needed to give a stronger impact onstage – just my thoughts.

Nebulae (pix)
A new project and the surprise gem of my night. The band calls their style spiritual heavy rock, but I like to think of it as a twisted hard emo-rock with flash. The vocalist, Ben (also Xenophobia) can ride the songs’ moods with constrained emotion or just letting things rip, and the lead guitarist knows when to get his freak on during the set. This band can blitz you with noise, and pull back for the softer parts. I liked this whole performance. They will be @ Otsuka Red Zone on June 16.

Control Freak (pix)
True to the name, Control Freak had everything in the hands of one man, Matt Redding. It was a power drums’n'bass performance with machines generating the heavy noise backing soundscape. Standing behind his electronic drum pads, the Control Freak did not have much latitude for antics onstage, but he had a strong presence. It was more a hypnotic effect as you watched the man at work and enjoyed the beats. I might not have felt the urge to run up to the stage screaming, but I really liked this performance a lot.

Eingezogen Gestalt (pix)
Veteran band with serious cyber-industrial/eletro-rock sounds. I really got into this two-man set and they obviously knew their craft well. Powerful and in full control, Eingezogen Gestalt are certainly worth checking out. Partway through the set, a curve-ball was thrown out with a girl in a boiler suit and gas mask taking the center stage. That was pretty amazing too (Gasmask girl pix)

Kwik Kick Mummy Lee (pix
I have seen board-based sound creation acts that feel like you’re looking at the DJ-booth in a disco, but KKML is totally dynamic, pulling off the sound-mixer mad-scientist routine (scrunching away and draping himself across the platform), and getting (sometimes literally) into the crowd. You can see the audience just ignite when the set starts and the whole set just rocks. Great sound and totally connects with the audience.

I piked before I could see Sino or Far Eastern Eclipse (the acts I originally came to see), but I was happy to see what I did.

Next Electrock Circus is @ Shinuku Urga on August 26, 2006.

Agent Murder :: Murder TV PicturesNo written report (it freaking rocked!), but pictures from last month’s Murder TV event which celebrated the launch of Agent Murder’s new album Gizenrou. Bands appearing along with the murder boys were: 2 Bullet, Mamono, Aural Vampire, Destruct System. There are a total of 46 pictures for you to peruse at your leisure.

See Murder TV pics :: Thumbnail list

Tokyo Dark Castle #17 once more showed why it is the biggest event in the Japanese Goth scene with more hot bands than you can point a sharp pointy thing at and a large crowd to push things into overdrive. While the sadness of Isola’s passing was not forgotten, the celebration of life was supreme.

Crowd As beautiful as ever. The dress was more style-oriented than fantasy-oriented tonight. There were more people than normal for TDC as it was in part kind of wake for Isola. Cheers to the guys who made it out, said hello, etc. There were quite a few gaijin from various corners of the globe about to boot.

Venue While I like Marz for the funky two-floor layout, it pales compared to Deseo, which had a nice foyer space to talk and more space in general. Marz works very well for smaller events, but once you reach a certain crowd size it just gets uncomfortable – tonight’s TDC was probably a comfortable size for Deseo, but not for Marz space. There was nowhere to escape to and talk (unless you’re “staff”) and if there is a fire, then you’re all going to die! Don’t get me wrong, it is a good mid-size place for events, and would be good for a quiet TDC (Golden Week for example), but regular TDC nights will be a bit of a squeeze. I hope they move the event for Halloween, which shall be most insane!

Music
Up to the usual high standard of TDC, there were no misses. The sounds ranged from the ambient, classical to extra industrial.

Auto-Mod
Slightly longer set with some Hindi-like riffs being added. The new direction works well for the band, bringing out a new accent for the band along with Selia’s addition in back-up vocals. Would I go to a gig just to see them? Goth/metal rock events – for sure.

Speed ID
Liked them a lot and strong Goth sound. I shall keep looking for their outings in future. Would I go to a gig just to see them? Yes – quite an interesting group I want to learn more.

Phantasmagoria
More ambient sounds with two sweet voices plus violin. The singers are very good (as usual) with an operatic style, but the performance seemed lack-luster due to a heavy reliance on taped sounds. I guess I shouldn’t complaint, but with the interlude live acts at previous TDCs (e.g. Vexation and Selia) had more power with straight live performance. Would I go to an event just to see them? Hard call. The voices are great and work well in Goth or ambient scenes, but I just feel they need one more musician…

Destruct System
Hard-assed all the way. Sounds to riot by – and people did with a bit of light moshing and surfing. Would I go to an event just to see them? Oh yeah, as long as I had some Japanese genki drinks (power drinks like Red Bull… except more potent with liquid nicotine and other stuff you wouldn’t believe).

Calmando Qual
Showing that a band from the visual kei scene can rip out some good dark, rocky, gritty sets. Would I go to a gig just to see them? Hmmmmm. Yes, I think they’ve got a good mix of sound and delivery.

Despair
As always the craziest, maddest industrialists around – more mosh-stuff, I just held the stage barrier and tried not to bounce back into the riot behind me! Would I go to an event just to see them? Absolutely! Yes damn it! Yes, yes, yes.

DJs
The addition of Jude, Wakana and Taizo to Chihiro and Violet made the DJ sets as zesty as the bands themselves.

Selia
Armed with his harp, the supremely beautiful sweet soprano provided a last farewell for the night. Smooth as honey the whole way through. Would I go to an event just to see Selia? Absolutely.

Overall, a very good event. In terms of the bands and DJs it was one of the better TDCs. However, venue size was an issue. While it was a sad closure for many, it also re-affirmed that life goes on and should be celebrated.

Vengeance for Blood @ Ikebukuro CyberWhile the Gothic Lolitas had worked to suppress my urge to bounce and w00t in front of the stage, they could not stop me from having a good time!

Hauling ass to Club Cyber
Located a short walk from Ikebukuro station, Cyber stands out on the side street it is on; being the brightest lit spot there sitting adjacent the local TUC shop. The entrance was quite nice with enough visual kei band posters adorning the walls to make your average European Goth-mag editor salivate.

Inside Cyber, the stage space is well laid out. The center had a raised platform letting the players get right over the audience so you could get a good gander at band members. The crowd space was too small though. The place should rip out the DJ box on the crowd floor and stick it upstairs or somewhere.

Crowd :: Gothic Lolitas everywhere
Upon opening the blast-doors, I was hit by the reality of wall-to-wall Gothic Lolitas. We are not talking about your Tokyo Dark Castle-roaming GLs, but rather the younger, Harajuku-types who always seem distant from the rest of the crowd at events. These are the quiet ones sitting in the corner appraising the crowd, deciding who they are going to kill in some dark alley with those exceptionally long and pointy daggers squirreled away beneath one of those lacey bodices (oh, you didn’t know about that did you?).

Another thing you notice about these Gothic Lolita crowds is that they don’t make a lot of noise. They like hand-waving at the front, but are not likely to applaud unless they really love the band. I was the only member in the audience to let loose with a couple of w00ts for the bands during sets, but I knew it was wrong, wrong, wrong. I should have just quietly sipped my Blood cocktail in the corner (that was yummy).

I found myself tripping over daypacks dumped all over the place. I guess the girls must have got dressed up in a public toilet and brought their day-clothes along to the event. OH, COME ON! Japan is the “safety country.” You could walk about in GL style anywhere. Hell, I could walk about dressed as GL anywhere!

Bands
This is why I was here and I was glad I came! The bands were an interesting mix of styles from dark synth-pop to glam to rock. Sure, they have heavy links with the [shudder] visual kei scene (this explains the Goth-Loli chans), but these bands play pretty damned well. Two of them have done Tokyo Dark Castle. Another has been globe-trotting quite successfully. There’s grittiness here!

Brand 0
Sexy hot-rocking stuff.

Storming though the entrance and trying to avoid tripping over Gothic Lolitas and their associated baggage, I already knew Brand 0 band were good. Even the phalanx of black froo could not stop my inexorable progression to the front of the stage. I was drawn like a fly the flame. Four axes, real drummer and vocals were onstage grinding out this hot mix of glam and hard rock  Esix freaking people! The music was not revolutionary, but it was done damned well and with a hell of a lot of energy. The costumes were great, but Brand 0 doesn’t need these props to pump the crowd  Ejust loud and powerful music with good stage presence from all. Band members had a symmetry about their moves in parts of the set working together to rip some emotion out of you. I w00ted a few times even though I knew the GLs wouldn’t approve of such ruffianism. Would I go to a gig just to see them again? Yes, definitely. Oh, yeah, I scored the guitar pick from the re-haired guy – 2cool.

Candy Spooky Theater
Dark synth-pop.

Candy Spooky Theater has been around for a long time and I think the band did a couple of sets at the early editions of Tokyo Dark Castle. A three-person dark synth-pop unit whose style might be described as a combination of The Nightmare Before Christmas and Edward Scissorhands. The first half of the set was heavily synthed with lots of DAT sequences and was largely an indulgence. The singer even had a little doll and told a story using a synth-warped mic. The second half of the set was livelier, with a bit of anarchy on stage. Would I go to an event just to see them? Possibly not, but I would not avoid an event where they played.

Blood
Dark, complex, emotional sounds with great visuals

Ah, this is why I came here. An interesting band as they seem to have quite a range of styles in their repetoire: classic Goth rock, moody melancholy, some Cure-esque layers and a bit epic J-rock akin to Gackt and the like. A difficult band to classify, because of this mix of sounds, but they have very listenable, creative music. Crisp and complex, their style will grow on you. Their costumes and magnificent and probably cost more than the average English teaching drone’s salary. Right from the start of the set you know these guys (yes, they are guys) have invested heavily on creating the look and feel of their music. The ax-work is precise with both lead and bass laying down the sounds with perfection. Fu~ki, the lead singer knows how to work the audience into the music. It was not the kind of act that you would jump to or mosh with, it was the act you’d just move closer to the stage to enjoy the songs and performance. I have to toast them for doing what they intend doing, which is creating a unique, quality band. It may not be the kind of thing you would see at Tokyo Dark Castle (because of their Japan epic rock influence) but they have kudos. Would I go to a gig just to see them again? Yes, definitely.

Calmando Qual
Hard rocking stuff.

A one-song set (!) alas as the lead singer was sick on the night  Eprobably a result of a long tour since last year. Fu~ki of Blood did a fill-in for the vocals and blasted a terrific rendition of the fuck you song! Un-fucking-believable  Eloved it.

All-in-all a pretty good event. The crowd was a little tame, but the bands were generally might fine. Blood put together a well-matched group of bands together and delivered a great night. Brand 0 and Blood will be doing a special two-man show at Ikebukuro Cyber again on March 18. Details for that shall be up soonish!